A NEW EAARTH

 for Orchestra, SATB Chorus and Narrator

Written: 2012
Duration: 38'
Instrumentation: SATB choir, narrator, and orchestra: 3[1/pic.2/pic.3/pic/dbl wind chimes* **] 3[1.2.3/Ehn] 3[1.2.3/bscl] 2 – 4.2.3[1.2.btbn] 1 – tmp + 3 perc – hp, pf, opt cel - str. Percussion: (3 chimes, vib, xyl, orch bells, sd, bd, large tamtam, 2 sus cym, large crash cym, med crash cym, 3 tri, mark tree, bell tree)

*Specifically-pitched Woodstock® style wind chimes are strongly recommended for this work; they can be rented from the publisher. **Wind chimes cues in Flute I may be transferred to the Flute III Part for convenience. Optional Celesta may be used for mm. 616-617.

Commissioned by the Vermont Symphony Orchestra Association in conjunction with a three-year Music Alive residency, funded by New Music USA and the League of American Orchestras.

New York Premiere: American Modern Orchestra and Albany Pro Musica, Kent Tritle, conductor, Larry Pine, narrator, José Daniel Flores-Caraballo, Albany Pro Music Artistic Director, Mostly Modern Festival, Arthur Zankel Music Center, Filene Concert Hall, Skidmore College, Saratoga Springs, NY, June 15, 2018.

World PremiereVermont Youth Orchestra and ChorusJeffrey Domoto, conductor, Bill McKibben, narrator, May 4 & 6, 2012.
PublisherBill Holab Music

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Also Available: Choral Suite from A New Eaarth consisting of the choral movements from the orchestral work re-scored for SATB choir and piano. The choral suite (or individual movements) may be performed as stand-alone works.

PROGRAM NOTE

Although I have lived in cities most of my life, I don't think of myself as a city person, and have always felt more connected to the outdoors rather than to asphalt and tall buildings. Many of my works are inspired by nature, and I am deeply concerned about environmental issues, particularly global warming.

Of the many excellent books on the environment, one of the best I have read and that moves me most is Eaarth by Bill McKibben, a well-known author, educator and environmentalist. McKibben's assertion is that we have waited too long, and that massive climate change is not only unavoidable, but already underway. He states that we may as well call this new planet Eaarth, because it is still recognizable, but fundamentally different. I feel strongly that he is correct, and wanted to express this in a musical way. A work for orchestra, chorus and narrator seemed like the ideal vehicle for reflecting on this crucial issue.

In A New Eaarth, I intersperse my own narrated text with poems and quotes from around the world, including texts by Wendell Berry, James Joyce, Percy Bysshe Shelly and William Wordsworth. The text and poems allude to the four ancient, classical elements—earth, air, fire and water—a theme that permeates many of my other works.

A New Eaarth is commissioned by the Vermont Youth Orchestra Association through a Music Alive! residency grant from New Music USA and the League of American Orchestras, and will be premiered with the Vermont Youth Orchestra and Vermont Youth Orchestra Chorus, conducted by Jeffrey Domoto, with Bill McKibben, narrating.

  • A New Eaarth
    For Orchestra, SATB Choir and Narrator
    Narration Text by Robert Paterson

    NARRATOR
    Imagine a day, perhaps in the future,
    When we will not worry about the environment.

    Imagine a day, perhaps today or tomorrow,
    When our leaders will come together, will all come together,
    To fix what is now almost completely beyond repair.

    Imagine that our youth
    Will hear our stories about climate change
    And know that we did everything possible
    To right what we had wronged.

    We cannot ignore what is directly in front of us.
    We know we should act, and act fast.
    We should all act fast,
    Because all of this is really happening.
    Yet as nations, we don’t do nearly enough.

    Has it always been like this?
    What did our ancestors say?

    CHOIR
    Quotes
    A tree is known by its fruit. (Zulu Proverb)
    Keep a green tree in your heart and perhaps a songbird will come. (Chinese Proverb)
    People protect what they love. (Jacques Cousteau)
    Let waters you will not be drinking run freely. (Mexican Proverb)
    Give me the splendid silent sun with all his beams full-dazzling. (Walt Whitman)
    Look deep into nature, and then you will understand everything better. (Albert Einstein)
    Earth provides enough to satisfy every man’s need, but not every man’s greed. (Mahatma Gandhi)
    We do not inherit the earth from our ancestors, we borrow it from our children. (Native American Proverb)

    NARRATOR
    The signs are everywhere, yet many of us ignore them.
    We think of today, and not tomorrow.
    We think of us, and not them.
    Some of us don’t think at all.

    It has not always been like this.

    A gust of wind can grow into a storm.
    We know this to be true.
    Before we realized what was happening,
    It was happening all the time.
    Not just there, in some distant land, but here.
    At first we didn’t notice.
    Then it happened more frequently,
    And more forcefully.
    Hurricanes and tornados were upon us.

    CHOIR
    A Dirge
    (1824)
    Percy Bysshe Shelley

    Rough wind, that moanest loud
    Grief too sad for song;
    Wild wind, when sullen cloud
    Knells all the night long;
    Sad storm whose tears are vain,
    Bare woods, whose branches strain,
    Deep caves and dreary main,—
    Wail, for the world’s wrong!

    NARRATOR
    A single drop of water makes a difference,
    We know this to be true.
    Before we realized what was happening,
    It was not just one drop, but two, and then five,
    Then a small trickle,
    Then a stream.
    It happened so gradually we didn’t notice.
    We didn’t want to notice.
    Many of us were too busy driving to notice.
    Then the reports came in.
    Glaciers were crumbling, and crumbling fast.

    CHOIR
    All Day I Hear the Noise of Waters (1907)
    James Joyce

    All day I hear the noise of waters
    Making moan,
    Sad as the sea-bird is when, going
    Forth alone,
    He hears the winds cry to the water’s
    Monotone.

    The grey winds, the cold winds are blowing
    Where I go.
    I hear the noise of many waters
    Far below.
    All day, all night, I hear them flowing
    To and fro.

    NARRATOR
    A single degree makes a difference,
    We know this to be true.
    Before we realized what was happening.
    It was not just one degree, but two.
    And then three or five or more.
    It happened so gradually we didn’t notice.
    Some of us didn’t want to notice.
    Many of us ignored those who noticed first.
    Forest fires seemed to come out of nowhere,
    And then they were everywhere.

    CHOIR
    From A Timbered Choir (1999)
    Wendell Berry

    Every place had been displaced, every love
    unloved, every vow unsworn, every word unmeant
    to make way for the passage of the crowd
    of the individuated, the autonomous, the self-actuated, the homeless
    with their many eyes opened toward the objective
    which they did not yet perceive in the far distance,
    having never known where they were going,
    having never known where they came from.

    NARRATOR
    The earth is sacred,
    We know this to be true.
    Before we realized what was happening, it was here.
    It was not just there, on some distant continent, it was here.
    It was so hidden from our view that at first, we didn’t notice.
    Then everything changed.
    Food and water became scarce.
    Land became overcrowded.
    The sky began to turn gray.

    CHOIR
    There Was A Time (1807)
    William Wordsworth

    There was a time when meadow, grove and stream,
    The earth and every common sight
    To me did seem
    Apparell’d in celestial light,
    The glory and the freshness of a dream.

    The rainbow comes and goes,
    And lovely is the rose;
    The moon doth with delight
    Look round her when the heavens are bare;
    Waters on a starry night
    Are beautiful and fair;
    The sunshine is a glorious birth;
    But yet I know, where’er I go,
    That there hath pass’d away a glory from the earth.

    NARRATOR
    There are sights we will miss, when they are gone:
    Glaciers in Greenland,
    Polar Bears in Alaska,
    Tropical forests of the Amazon.

    There are sounds we will miss, when they are gone:
    Crickets in a field,
    Birds in the trees,
    Bees buzzing among flowers.

    There are smells we will miss, when they are gone:
    Pine trees in winter.
    The scent of the great outdoors.
    Flowers native to our land.

    There are tastes we will miss, when they are gone:
    Fresh berries, picked from a hill not far away,
    Flowing water, seemingly endless and pure,
    Maple syrup from the Northeast Kingdom. *)

    We think this won’t happen,
    That we have nothing to lose.
    But we have never experienced anything like this,
    In all of human history.

    We can change
    We need to change, and we know that.
    We know we need to stop, even if the signs say go.
    We know we need to slow down, even when we feel like speeding up.
    We know we need to take time,
    To see the sights,
    To hear the sounds,
    To smell the smells
    To taste the tastes,
    To cherish all that is around us,
    Before it is too late.

    We need to imagine a day, perhaps in the future,
    When we will not worry about what we worry about now,
    We need to inspire change,
    Before it is too late.
    We need to believe that we can change,
    That we can change who we are, and all those around us;
    Change those who refuse to see what’s coming or already here.

    Imagine the day.
    If we care deeply enough about a better future for our new Eaarth,
    That day will come.

    CHOIR
    We do not inherit the earth from our ancestors, we borrow it from our children.

    *) This line may be substituted with another food from the region in which this piece is performed that is in danger of disappearing due to climate change.

    Original Text © Copyright 2018 Robert Paterson. All Rights Reserved.

Press Quotes

[A New Eaarth] proved a grand statement about the dangers of climate change... the 30-minute work decries the current situation yet offers hope... The score employed myriad musical effects—including a substantial percussion section—that illustrated the libretto. More than that, with the chorus, it was an amazingly colorful tone poem... the music was beautifully crafted. There was immense power in parts, pathos in others. The VYO and Chorus clearly enjoyed every second of it, performing with passion and skill.
— Review of World Premiere, Jim Lowe, Times Argus
[A New Eaarth] is quite powerful—it gets at the essential scientific truth of the moment, the sudden and violent flux of the physical world as the 10,000 years of the calm Holocene comes resoundingly to an end. A very inspiring piece, and people left ready to take action...
— Bill McKibben, Interviewed in League of American Orchestra's SymphonyNow Magazine
From a review of the Eternal Reflections album with Music Sacra and Kent Tritle…

Some of the most compelling moments on this recording occur in Choral Suite from a New Earth, from a work originally scored for orchestra, chorus, and narrator but recorded here with piano alone. This set speaks powerfully to modern sensibilities, referencing environmentalist Bill McKibben’s assertion that climate change has already permanently altered the planet; the choir delivers Paterson’s evocative music with passion, from the depiction of violent sounds of nature to a more reflective, hymn like texture.
— Laura Wiehe, ACDA Choral Journal
I’ll be honest... I didn’t see how it would all work: narration of not just glum but (I mis-assumed) fairly technical language, plus youth chorus, which I knew would limit your harmonic options, and orchestra, all on a shortened rehearsal schedule. But it was awesome! The recitativo style choruses made a beautiful and effective link between all the other elements. You wrote beautifully for the group—challenging but stuff that they could really get. The final chorus rhythm is both beautiful and catchy—it’s an ear-worm, but in a good way—which is not only great in itself but great in an ending, leaving it in your mind after the piece is over. The audience seemed really moved. I heard the people around me... they were clearly pleasantly surprised and impressed.
— David Feurzeig, Associate Professor of Composition, University of Vermont