BATTER'S BOX

for tenor and piano

Written: 2005
Duration: 18'
Instrumentation: tenor and piano
Text by Kenny Berkowitz and Bridget Meeds
Written for Paul Sperry
PremiereAmerican Modern EnsemblePaul Sperry, tenor, Ieva Jokubaviciute, piano, Tenri Cultural Institute of NYC, April 16, 2005
PublisherBill Holab Music

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PROGRAM NOTE

Batter's Box is my second song cycle written in collaboration with Bridget Meeds, a poet, and Kenny Berkowitz, a journalist. The first project we worked on together was Thursday, a song cycle for soprano and piano in which the text consists of fictitious answering machine messages. This time, we specifically decided to tackle a subject that we thought might entice people into the concert hall who might not normally attend classical concerts. The text is loosely based on the life of baseball giant Mike Piazza of the New York Mets. Each movement represents a different phase of the game, and Piazza’s thoughts of his father tie everything together. However, overall, I interpret this cycle as being less about Piazza the individual and more about the all-American baseball player.

  • Batter’s Box
    for Tenor and Piano

    Batting Practice

    I love to swing the bat.
    I can’t help it, I just love it,
    always have… always.

    Wow… that is one good-looking lady.
    I could see myself with her,
    maybe five years from now,
    little house in the suburbs,
    grilling steak in the backyard,
    playing catch with the kids.
    Do people stay faithful in New York?
    I wish I knew.

    I wish I knew what to do.
    I could sit around the hospital,
    ’til they give dad the news.
    But what good is that gonna do?
    If I stay here,
    at least he can see me on TV,
    maybe watch me hit a homer.

    We can’t afford to lose two in a row.
    Every game counts…
    every inning, every pitch.
    Look at that sky.
    Can I put in my order for a sunny day?
    No, not very likely.
    Mom says, “Go to work, don’t worry.”
    Don’t worry?

    Some day, I’m gonna have a kid,
    like that one,
    brings his glove to the game,
    hoping to catch a foul tip.
    And I’m gonna be as good to him
    as my dad was to me.
    I can’t believe I was as small as that.

    Catching

    What the hell was that?
    That’s the best pitch you’ve got?
    Jesus Christ, that was practically up to his gut.
    Concentrate. Concentrate. Con-cen-trate.
    I can’t stand impulsive people.
    I want you to give me a slider.
    Not like the last one: a slider.
    One that drops. Like it’s supposed to.

    Don’t shake me off.
    Lord help us and save us,
    if I wanted a curve ball,
    I’d ask for a curve ball.
    Trust me.
    I’m tired of hearing I’m doing it all wrong:
    ”He’s too big.” “He’s too slow.”
    ”He doesn’t know what pitches to call.”
    I know what this game is all about,
    I’ve been working hard.
    I’ve seen this guy, he can’t hit ’em low.

    All we need now is a nice, low slider,
    that’s all you have to do.
    Yeah, he knows it’s coming,
    yeah, he’s waiting for it.
    If you just keep it low.
    But you can get it past him,
    I know you can do it.

    Rain Delay

    It’s no fun getting beat up —
    my knees are killing me,
    my elbow is throbbing,
    my fingers are numb.
    Every time I get a hit like that,
    it takes another year off my life.

    Maybe I should be a weatherman:
    rain, turning to… rain, followed by… rain.
    How long is this gonna last?
    I can’t believe they’re paying me
    a million bucks to sit on this bench,
    a million bucks could feed some country
    for like two years.
    How is my hitting a baseball
    gonna make a difference to anyone?

    My father prayed every day
    that I would be a baseball player…
    and here I am.
    What choice do I got?
    Please God, I’m not asking for a hit,
    I know that would be wrong.
    Pride is a sin.
    But could you give me a chance?
    I swear, I’ll turn this game around.
    I know a guy oughtta pray all the time,
    and I don’t.
    I know you’re too busy to pay attention
    to a stupid baseball game.
    But maybe I could make
    these fifty thousand people a little happier.
    Or maybe I’m just wasting your time.
    Or maybe there’s some other lesson
    I’m supposed to learn.

    At Bat

    Knowledge. Timing. Luck.

    Come on! Get your mind on the game!

    This is your moment, your time.
    Breathe. Watch. Think.
    That’s three curves in row,
    inside low, inside high, inside low.
    Give me another one,
    I’ll knock it out of the park.

    Knowledge. Timing. Luck.
    What I want is a big, meaty fastball,
    but I don’t think I’m gonna get it —
    no, I know I’m not gonna get it.
    That’s okay.
    Another curve will do me just fine.
    I can hit a curve as good as anybody:
    All those nights with dad in the batting cage,
    when my hands were freezing cold,
    I still kept hitting. For him.
    Jesus, I didn’t even say thanks.
    What if I don’t get the chance?

    [He calls time out.]

    What am I doing here?
    Dad is watching,
    he knows what I’m thinking.
    He’s saying,
    ”Kiddo, forget about me,
    get your head in the game.
    Hit that ball,
    show me what you’re made of.”
    You can’t know what’s gonna happen,
    all you can do is do your best.
    And pray.

    [He resumes play.]

    Knowledge. Timing. Luck.
    That’s all it takes.
    The game is a game,
    it goes on,
    and I’m ready.

    Postgame Interview

    You always ask yourself,
    ”What could I have done differently?”
    There’s plenty I could tell you —
    there was a curve in the third
    that I really should’ve hit,
    there was a slider in the sixth
    that I should’ve stopped.
    But sometimes the game
    doesn’t go your way,
    there’s things you can’t control:
    We worked hard, and today.
    that’s as good as we can do.
    Sure, I wish
    I could’ve walked to the mound
    after that last out,
    knowing I called all the right pitches,
    knowing I left an imprint on the game.
    I don’t know if I can say that today.
    Ask me again tomorrow.

    Sometimes, I think
    the only thing that keeps me going
    is coffee and Advil.
    But the rest of the team,
    they’re feeling strong.
    And they’re thinking on their feet,
    you know?
    Mentally, the season beats the hell out of you,
    it’s like the feeling you get after
    running a marathon,
    but doing it everyday.
    It takes a toll.
    So you learn, you gotta completely
    minimize your mistakes.
    We haven’t been doing that,
    but we can,
    if we work hard,
    from now through October,
    because the World Series is for people who are doing,
    not for people who think they’re due.

    Yeah, thanks…
    Honestly, we really don’t know
    what’s gonna happen to him,
    nobody does.
    But we’re getting some tests back.
    I’m going over there now,
    take my mom out for some supper.
    He keeps saying,
    he’s gonna see me in the Series,
    and I want to believe him.
    The bottom line is,
    whatever else happens,
    I gotta keep playing.
    I’ve worked too hard to get here.
    I know this can be gone
    as easily as it comes.

    — Kenny Berkowitz and Bridget Meeds

Press Quotes

Subtle and intricate musical settings that truly define the words “art songs”... intricate, idiomatic to the text, very colorful, and brilliantly wedded to the subtle nuances of vocal expression. A fine release. (4 Stars).
— Steven Ritter, Audiophile Audition
...intriguing, accessible art songs... surprisingly touching, candid cycle “Batter’s Box,” inspired by Mike Piazza.
— New Jersey Star Ledger
I really enjoyed Batter’s Box - not only text setting that so accentuates the words in a manner I love, meaning it is so clearly understood that you can actually enter the story being told without fear of becoming lost... it so beautifully communicates the sheer energy of being “in the game” and the thrill of ambition being met.
— Juliana Hall, Composer