STAR CROSSING

for flute, clarinet, percussion and piano

Written: 1999
Duration: 9'
Instrumentation: flute (doubling piccolo and alto flute), B-flat clarinet (doubling B-flat bass clarinet), percussion (vibraphone [with working motor] and orchestra bells) and piano
Written for the Society for New Music as a result of winning the Brian Israel Prize
Winner of the 2001 Tampa Bay Composers Forum First Prize for Excellence in Chamber Music Composition
World Premiere: Society for New Music, May Memorial Church, Syracuse, NY, November 14, 1999.
PublisherBill Holab Music
 
View ScoreBuy Sheet Music | Buy Audio

PROGRAM NOTE

Although I will probably never have an opportunity to travel through outer space, I often look up at the stars with wonderment, marveling at the vastness of the night sky, wishing I could have that experience. This work is my attempt to impart the sensation of what I think it might feel like to travel through the galaxy, and to give the feeling, through sound, of staring up at the star-filled sky on a quiet, clear night.

Press Quotes

β€œ...a 10-minute evocation of outer space, in music by turns hypnotic, flashing and jittery, with some syncopated dancelike material as well. ”
β€” Scott Cantrell, Dallas Morning News
β€œ...a musical conversation between the piano and the rest of the instruments. Like many conversations, there are agreements and disagreements between parties, which hopefully conclude with a consensus among the group. And Paterson’s piece is exactly that. The players toss musical ideas back and forth until a driving unison section of repeated notes brings the discussion to a close β€” a fitting conclusion to the first half of the program.”
β€” ClevelandClassical.com
β€œ...an offhandedly dazzling display of creepy, chilly Hitchcockian ambience, sepulchral woodwind flourishes and simple, seemingly random piano motifs against disembodied ringing tonalities. Although it’s meant to evoke an otherworldly, outer-space milieu, the tension is relentless.”
β€” Lucid Culture
β€œWhile nothing in this pretty, lucid work is anything stereotypically β€œspace” sounding, there is an other worldly feel to the writing helped by some very clever interchange between the winds and the vibraphone.”
β€” Daniel Coombs, Audiophile Audition