Spring SONGS

for Tenor and Instrumental Sextet

Written: 2019
Duration: ca. 20'
Instrumentation: tenor and instrumental sextet (flute, clarinet, percussion, piano, violin, cello)
Commissioned by Rick Teller for the American Modern Ensemble
World PremiereAmerican Modern EnsembleAlok Kumar, tenor, Mostly Modern Festival, Saratoga Springs, NY, June 26, 2019.
PublisherBill Holab Music

Sheet Music Available September 1, 2019.
Also available in a
version for tenor and piano.


Spring Songs for tenor and chamber ensemble or piano is my third song cycle celebrating the seasons. As with the first two, Winter Songs for bass-baritone and Summer Songs for soprano, this cycle contains settings of poems by various American poets.

Whereas both Winter Songs and Summer Songs end with scenes in New York City, Spring Songs begins with New York: a setting of English Sparrows (Washington Square) by Edna St. Vincent Millay, a poem about about a scene that takes place in the morning in Greenwich Village, a neighborhood in New York City where Millay lived in the early 1900s. The second movement is s setting of April 5, 1974 by Richard Wilbur, a poem about Wilbur wrote in honor of Robert Frost’s one-hundredth birthday, and I interpret as being about overcoming self-doubt through wisdom, and also about understanding the change of seasons, but also a change of mind. The third movement, Done With by Ann Stanford, I interpret to be about death and rebirth, and is symbolized by a house being torn down and the ground paved over, and the now suffocated plant life yearning to break through. The Widow’s Lament in Springtime, the fourth movement, is a setting of a poem by William Carlos Williams, and I interpret as a modernist, pastoral elegy that uses images of nature to lament the death of a loved one. The final movement, a setting of the poem Spring Rain by Sara Teasdale, is about a happy memory of a lover brought about by an evening thunderstorm.

Spring Songs was commissioned by Rick Teller for the American Modern Ensemble.