VOCAL (NON-CHORAL)

Autumn Songs 18'
for mezzo-soprano and instrumental sextet

I. Ascension: Autumn Dusk in Central Park (Evelyn Scott)
II. Under the Harvest Moon (Carl Sandburg)
III. All Hallows’ Eve (Dorothea Tanning)
IV. November for Beginners (Rita Dove)
V. Leaves Before the Wind (May Sarton)

Autumn Songs 18'
for mezzo-soprano and piano

Batter's Box (Kenny Berkowitz and Bridget Meeds) 18'
for tenor and piano

I. Batting Practice
II. Catching
III. Rain Delay
IV. At Bat

CAPTCHA (Robert Paterson, Based on CAPTCHA Phrases) 16'
for baritone and piano

I. duchenp fled
II. Henry folutch
III. cemaeve armed
IV. youJusto nicely
V. WhenRus comes
VI. Voix gustroor
VII. Secretary metadon
VIII. orypeue Robert

CAPTCHA (Robert Paterson, Based on CAPTCHA Phrases) 16'
for mezzo soprano and piano

I. duchenp fled
II. Henry folutch
III. cemaeve armed
IV. youJusto nicely
V. WhenRus comes
VI. Voix gustroor
VII. Secretary metadon
VIII. orypeue Robert

CAPTCHA (Robert Paterson, Based on CAPTCHA Phrases) 16'
for soprano and piano

I. duchenp fled
II. Henry folutch
III. cemaeve armed
IV. youJusto nicely
V. WhenRus comes
VI. Voix gustroor
VII. Secretary metadon
VIII. orypeue Robert

Cocoa Cantata (David Cote) 22'
for soprano, baritone, bass-baritone, and instrumental sextet (flute, string quartet, and piano)

Coffee Cantata (Arrangement) (Christian Friedrich Henrici [Picander]; English adaptation by David Cote) 25’
for soprano, baritone, bass-baritone, and instrumental sextet (flute, string quartet, and piano)

Crossing The Hudson (Mark Campbell) 5'
for soprano, baritone, and piano

Eating Variations (Ron Singer) 9'
for baritone, flute, clarinet, violin, cello, and percussion

I. My Body, a Temple
II. The Hog
III. Even the Dyspeptic Must Eat
IV. The Dietary Moralist
V. The Happy Medium

Extraordinary (David Cote) 9'
for soprano, baritone, and chamber ensemble

Extraordinary (David Cote) 9'
for soprano, baritone, and piano

Ghost Theater (traditional epitaph; Pablo Neruda; Wilfred Owen) 11'
for two female singers, large chamber ensemble and optional film

In Real Life I (David Cote) 21'
dating site songs for soprano and chamber ensemble

I. A Regular Woman
II. Late Bloomer
III. Anastasia
IV. Collateral
V. Rewind

In Real Life I (David Cote) 21'
dating site songs for soprano and piano

I. A Regular Woman
II. Late Bloomer
III. Anastasia
IV. Collateral
V. Rewind

In Real Life II (David Cote) 20'
dating site songs for baritone and chamber ensemble

I. Ain’t No Frog
II. Sola Fide
III. Die With Me
IV. Still Vamping
V. Nice-Plus

In Real Life II (David Cote) 20'
dating site songs for baritone and piano

I. Ain’t No Frog
II. Sola Fide
III. Die With Me
IV. Still Vamping
V. Nice-Plus

New York Stories 60’
for soprano, baritone, and chamber ensemble or piano

I. Original and Only (Margot Connolly)
II. Extraordinary (David Cote)
III. Shallow Wishes (John de los Santos)
IV. River Park (Sokunthary Svay)
V. Rules In Effect (Briana Elyse Hunter)
VI. Crossing The Hudson (Mark Campbell)

Night Songs 20'
for bass-baritone and piano

I. City Dusk (F. Scott Fitzgerald)
II. Lullaby (W. H. Auden)
III. Birds Appearing in a Dream (Michael Collier)
IV. Insomnia (Dana Gioia)
V. Flying at Night (Ted Kooser)

Ouvir Estrelas (Olavo Bilac) 4'
for soprano and piano

Red Delicious (Jerome Ellison Murphy) 3’
for soprano and piano

Spring Songs 20'
for tenor and piano

I. English Sparrows (Washington Square) (Edna St. Vincent Millay)
II. April 5, 1974 (Richard Wilbur)
III. Done With (Ann Stanford)
IV. The Widow’s Lament in Springtime (William Carlos Williams)
V. Spring Rain (Sara Teasdale)

Spring Songs 20'
for tenor and sextet

Summer Songs 21'
for soprano and piano

I. Summer Music (May Sarton)
II. The Kite (Anne Sexton)
III. Childhood (Sharan Strange)
IV. Moths (Jennifer O’Grady)
V. Summer Night, Riverside (Sara Teasdale)

Summer Songs 21'
for soprano and sextet

I. Summer Music (May Sarton)
II. The Kite (Anne Sexton)
III. Childhood (Sharan Strange)
IV. Moths (Jennifer O’Grady)
V. Summer Night, Riverside (Sara Teasdale)

The Biographies of Solitude (Irving Feldman) 8'
for soprano, viola and cello

The Bell (Hans Christian Andersen; adapted by Robert Paterson) 20'
for narrator and chamber ensemble

The Queen’s Revenge (Wolfgang Amadeus Mozart) 6’
for two clarinets (doubling piano) and pianist (doubling coloratura soprano)

Thursday (Kenny Berkowitz and Bridget Meeds) 12'
for soprano and piano

I. Introduction
II. 9:15 AM
III. 10:42 AM
IV. 5:09 PM
V. 6:05 PM
VI. 6:15 PM

Winter Songs 20'
for bass-baritone and sextet

I. Icicles Filled the Long Window (Wallace Stevens)
II. Dark Day, Warm and Windy (A. R. Ammons)
III. The Snow Man (Wallace Stevens)
IV. Boy at the Window (Richard Wilbur)
V. Old Story (Robert Creeley)
VI. Neither Snow (Billy Collins)

Winter Songs 20'
for bass-baritone and piano