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World premiere of Alto Saxophone Concerto, "Cocktail Concerto” with Knoxville Symphony, Aram Demirjian, Music Director and Conductor, Christopher Creviston, Alto Saxophone.
World premiere of Alto Saxophone Concerto, "Cocktail Concerto” with Knoxville Symphony, Aram Demirjian, Music Director and Conductor, Christopher Creviston, Alto Saxophone.
Performance of Soar and Star Crossing on a program entitled “Soar” by Nextet at the University of Nevada, Las Vegas (UNLV), composer Jennifer Bellor, Director. Free admission.
New a cappella choral work entitled The New Colossus for the Vocális Chamber Choir, James Burritt, music director and conductor. This program, entitled “Voices of the Queen City,” will also feature works by other Buffalo-born, Buffalo-based, or Buffalo-raised composers and conductors, including Caroline Mallonee and Michael Slon.
The text for this choral work is The New Colossus by Emma Lazarus.
New a cappella choral work entitled The New Colossus for the Vocális Chamber Choir, James Burritt, music director and conductor. This program, entitled “Voices of the Queen City,” will also feature works by other Buffalo-born, Buffalo-based, or Buffalo-raised composers and conductors, including Caroline Mallonee and Michael Slon.
The text for this choral work is The New Colossus by Emma Lazarus.
Performance of Kama for Choir and Handpan with Albany Pro Musica, José Daniel Flores-Caraballo, conductor, Maestro from the Knoxville Symphony. A broad palette of musical styles defines Mostly Modern, entirely ‘mostly modern.’ Not to be missed!
Festival composers and faculty from all over the United States and abroad come together for a night of brand-new works and premieres featuring the beloved Mostly Modern Ensemble, including a work by Robert Paterson, TBD.
Performance of Unwind/Wound Up for string quartet and percussion (handpan and cajón), along with new works and audience favorites, featuring the FAB5 quintet.
Performance of Shine, along with world premieres, by Mostly Modern Brass at Mostly Modern Festival.
Festival composers and faculty from all over the United States and abroad come together for a night of brand-new works and premieres featuring the beloved Mostly Modern Ensemble, including a work by Robert Paterson, TBD.
Performance of The Bell and Sergei Prokofiev’s Peter and the Wolf, Grant O’Brien, conductor, with Mostly Modern Orchestra at Mostly Modern Festival.
World premiere of Celestial Harmonics, featuring Mostly Modern Orchestra, David Amado, conductor. Other works TBA.
Performance of String Quartet No. 2 by the Euclid Quartet.
Performance of Alto Saxophone Concerto, “Cocktail Concerto” with Mostly Modern Orchestra, Aram Demirjian, conductor, Maestro from the Knoxville Symphony. A broad palette of musical styles defines Mostly Modern, entirely ‘mostly modern.’ Not to be missed!
Performance of Komodo featuring Micheal Barnes, marimba, at this percussion clinic. Exact time TBD.
Batter’s Box for tenor and piano performed by Dimitri Pittas, tenor, and a pianist from the acclaimed Manhattan School of Music.
Performance of Wind Quintet on the National Arts Centre of Ottawa’s Chamber Music Series.
Performance of Variations and Fantasies on an Accordion Song by Geoffrey Burleson on this recital, as part of a min-residency at the University of Denver’s Lamont School of Music.
Performance of Forest Shadows, featuring Micheal Barnes, marimba. Exact date and time TBD.
Performance of Summit Trio by Exponential Ensemble at the Americas Society.
Performance of Summer Songs for Soprano and chamber sextet featuring MSM’s Tactus new music ensemble, Matt Ward, conductor.
Performance of Triple Concerto with the Buffalo Philharmonic Orchestra, JoAnn Falletta, Music Director.
Performance of Triple Concerto with the Buffalo Philharmonic Orchestra, JoAnn Falletta, Music Director.
Performance of Soar for trumpet and piano with Jay Villella, trumpet, and Robert Frankenberry, piano, on the Roche Endowment Recital Series at Mercyhurst University.
Performance of Triple Concerto, “Summit” with the Wartburg Community Symphony, Neave Trio, Soloists.
Performance of Relative Theory and Hell's Kitchen at Michigan State University (MSU) as part of a week-long residency with American Modern Ensemble.
Performance of The Whole Truth, libretto by Mark Campbell with Virginia Opera.
Performance of Stillness for marimba and oboe by Duo Tonali, Rinko Sasaoki, Oboe, and Hiromi Shigeno, Marimba
Performance of The Whole Truth, libretto by Mark Campbell with Virginia Opera.
Performance of Wound Up/Unwind for string quartet and percussion (cajón and hand pan) with FAB5.
Performance of Wound Up/Unwind for string quartet and percussion (cajón and hand pan) with FAB5.
Performance of Wound Up/Unwind for string quartet and percussion (cajón and hand pan) with FAB5.
Performance of Stillness for marimba and oboe by Duo Tonali, Rinko Sasaoki, Oboe, and Hiromi Shigeno, Marimba
Performance of Wound Up/Unwind for string quartet and percussion (cajón and hand pan) with FAB5.
Performance of Wound Up/Unwind for string quartet and percussion (cajón and hand pan) with FAB5.
Performance of Wound Up/Unwind for string quartet and percussion (cajón and hand pan) with FAB5.
Performance of Wound Up/Unwind for string quartet and percussion (cajón and hand pan) with FAB5.
Performance of Wound Up/Unwind for string quartet and percussion (cajón and hand pan) with FAB5.
Performance of Wound Up/Unwind for string quartet and percussion (cajón and hand pan) with FAB5.
Performance of Wound Up/Unwind for string quartet and percussion (cajón and hand pan) with FAB5.
Performance of Wound Up/Unwind for string quartet and percussion (cajón and hand pan) with FAB5.
Performance of Skylights and Joy Ride at the Zodiac Festival’s inaugural concert in Valdeblore, France, featuring the Zodiac Trio.
An online lecture for composers as part of the Indiana University Jacobs Composition Academy Summer Intensive.
