Performance of Stealing Thunder with the Purchase Percussion Ensemble of the State University of New York, Dominic Donato, Director and Conductor. Concert will also include Nagoya Marimbas and Drumming Part I by Steve Reich and Plan B by Dominic Donato.

Performance of Hell's Kitchen by the Atlantic Music Festival Contemporary Ensemble, Robert Paterson, conductor.

Performance of Braids at the Atlantic Music Festival, Micheal Barnes, marimba and Samuel Schoenwald, violin. 

Performance of Blue Moon, the third movement of Moon Trio by the Claremont Trio on this free benefit concert for the Music Mondays series at Advent Lutheran Church to help supporting purchasing a new piano.

Performance of Embracing the Wind by the Deciduous Trio at Connecticut Summerfest.

Embracing the Wind performed by Trio Sirènes on this Musical Arts International concert in Silver Spring, MD. Other works include Sir Arnold Bax’s Elegiac Trio and Maurice Ravel’s Sonatine.

Magdalena Wajdzik gives the Dubai premiere of Joy Ride on this program.

ChamberMusicNY presents American Modern Ensemble in an evening of vocal works by composers who are (or were) percussionists on a program entitled "Voice of Thunder." Concert will feature the world premiere of Summer Songs for soprano and chamber ensemble, featuring Marnie Breckenridge, soprano. Summer Songs was commissioned by The ASCAP Foundation via the Charles Kingsford Fund.

New York premiere of Suite from A New Eaarth by the New Amsterdam Singers, Clara Longstreth, conductor.

New York premiere of Suite from A New Eaarth by the New Amsterdam Singers, Clara Longstreth, conductor.

Performance of Pegasus for flute and harp, Molly O'Roark, harp and Elisa Moles, flute.

Performance of Hell's Kitchen by the American Modern Ensemble on a program entitled AME Awards Night, featuring works by AME's annual composition competition contest winners.

Wichita State University's Impulse Percussion Group (IPG) directed by Jerry Scholl will perform Stealing Thunder on their annual spring concert.

World premiere of Stillness (Version for Alto Flute and Four-Mallet Marimba), Carly Prince, alto flute, and Micheal Barnes, marimba.

Performance of Pegasus for flute and harp by Joseph Rebman, composer and harpist, Cleo Leung, flute.

Performance of Hell's Kitchen, I See You (string quintet version) and Star Crossing on a Cleveland Institute of Music New Music Ensemble concert program, Keith Fitch, director.

World premiere of Graffiti Canons, commissioned by the Volti Choir of San Francisco, Robert A. Geary, Artistic Director, with support from the Ann Stookey Fund for New Music.

Performance of a Hell's Kitchen at Keene State College. Program will also feature world premieres by Keene State College faculty, as well as a work by Joseph Schwantner.

Performance of Shine by the American Brass Quintet, co-commissioned by the American Brass Quintet, at the Oregon Bach Festival.

Archaea Tree Ensemble comprised of harpist, Erin Brooker-Miller, percussionist, Andy Miller, and flutist, Thomas Robertello, performs The Book of Goddesses at the Indiana University Jacobs School of Music.

Performance of I See You (string quartet version) for string quartet and recording on this concert at Indiana University, South Bend.

In Real Life: dating site songs for soprano and piano, featuring Mela Dailey, soprano, and Marti Ahern, piano, with lyrics by David Cote. This work is commissioned by the Austin Chamber Ensemble for their 35th Anniversary, with generous support from Kickstarter donors.

In Real Life: dating site songs for soprano and piano, featuring Mela Dailey, soprano, and Marti Ahern, piano, with lyrics by David Cote. This work is commissioned by the Austin Chamber Ensemble for their 35th Anniversary, with generous support from Kickstarter donors.

Choreographed performance of The Book of Goddesses, featuring the Chaski Duo, Matthew McClung, percussion, and the Psophonia Dance Company.

American Modern Ensemble presents an operatic double feature: Stewart Copeland's (from The Police) The Cask of Amontillado based on the story by Edgar Allen Poe, and Robert Paterson's The Whole Truth, libretto by Mark Campbell, based on the short story of the same name by Stephen McCauley.

American Modern Ensemble presents an operatic double feature: Stewart Copeland's (from The Police) The Cask of Amontillado based on the story by Edgar Allen Poe, and Robert Paterson's The Whole Truth, libretto by Mark Campbell, based on the short story of the same name by Stephen McCauley.

American Modern Ensemble presents an operatic double feature: Stewart Copeland's (from The Police) The Cask of Amontillado based on the story by Edgar Allen Poe, and Robert Paterson's The Whole Truth, libretto by Mark Campbell, based on the short story of the same name by Stephen McCauley.

American Modern Ensemble presents an operatic double feature: Stewart Copeland's (from The Police) The Cask of Amontillado based on the story by Edgar Allen Poe, and Robert Paterson's The Whole Truth, libretto by Mark Campbell, based on the short story of the same name by Stephen McCauley.