Performance of Suite for String Orchestra with the Cornell Chamber Orchestra, Cornell University Visiting Lecturer Kirsten Marshall, conductor.

Exponential Ensemble performs Robert Paterson’s Relative Theory. The program also features performances of works by composers from Exponential’s Guest Artist residency at Mostly Modern Festival 2022, including Gilad Cohen, Oscar Pan, Phillipe Treuille, and Fritiof Palm.

New York City Carnegie Hall premiere of Whitman’s America by the Oratorio Society of New York, Kent Tritle, conductor, featuring Susanna Phillips, soprano, and Steven Eddy, baritone.

Lecture to the composers at Rutgers University Mason Gross School of the Arts, including a presentation of recent compositions and a discussion of music business-related topics.

Performance of Enlightened City by the The Philharmonic Orchestra of The Jacksonville Symphony Youth Orchestras, Grant O’Brien, conductor.

Performance of Look To The Sky by Albany Pro Musica, on this program entitled “I Dream A World,” José Daniel Flores-Caraballo, Opalka Family Artistic Director and Conductor.

Ember Choral Arts and American Modern Ensemble join forces to present an evening of music for choir and instrumentalists (flute, clarinet, violin, cello, piano, and percussion). This concert features conductor Deborah Simpkin King and features Robert Paterson’s Listen, a new work about climate change, commissioned by Ember Choral Arts, and Look To The Sky, a new work commemorating 9/11, commissioned by the New York Choral Consortium.

Ember Choral Arts and American Modern Ensemble join forces to present an evening of music for choir and instrumentalists (flute, clarinet, violin, cello, piano, and percussion). This concert features conductor Deborah Simpkin King and features Robert Paterson’s Listen, a new work about climate change, commissioned by Ember Choral Arts, and Look To The Sky, a new work commemorating 9/11, commissioned by the New York Choral Consortium.

Mostly Modern Festival’s Season Three Finale, celebrating all New York State composers, featuring JoAnn Falletta of the Buffalo Philharmonic Orchestra. Concert includes the stunning Rouse Flute Concerto, with Henrik Heide as soloist, and a brand-new world premiere for the Neave Trio and orchestra by Robert Paterson.

A spectacular line-up of 20th & 21st-century arias, art songs and song cycles, including selections from Robert Paterson’s Autumn Songs, featuring Sarah Stevenson, mezzo-soprano.

Neave Trio performance of Moon Trio by Robert Paterson, as well as world premieres by composers at the Mostly Modern Festival.

Performance of a I See You (version for string orchestra and fixed media) by the American Modern Orchestra at the Mostly Modern Festival, Scott Terrell, conductor.

The first half of the program opens with beloved modern arias of the 20th/21st century. After intermission, get ready for The Companion from the opera Three Way, a comic opera set in the future for soprano, baritone, and tenor.

Performance of Sonata for Bassoon and Piano on this American Modern Ensemble program at Mostly Modern Festival.

This program features our Robert Paterson’s Dash and Mostly Modern composers, as well as a mix of Atlantic’s repertoire from the 20th century. World premieres abound at Mostly Modern and tonight is no exception!

Join us for an afternoon concert, featuring the American Modern Orchestra, with the exquisite Peter Bay, conductor for the Austin Symphony. Composers include Samuel Barber, Leonard Bernstein, Robert Paterson, and Einojuhani Rautavaara, as well as a brand-new work from one of our ‘Mostly Modern Composers’.

A spectacular line-up of 20th & 21st-century arias, art songs and song cycles., including Robert Paterson’s Extraordinary for soprano, baritone, and piano. Featuring 10 top-vocalists from across the United States will be showcasing their talents, from the avant-garde to post-modern romance.

Festival composers and faculty from all over the United States and abroad, come together for a night of brand-new works and premieres, including a performance of Robert Paterson’s Eating Variations. Featuring the beloved American Modern Ensemble.

Exponential Ensemble performs Robert' Paterson’s Relative Theory. Program also features world premieres by composers from the Mostly Modern Festival, as well as a mix of repertoire from the 20th century.

Monica Yunus & Christopher Herbert will sing Robert Paterson's Extraordinary, libretto by David Cote, with Amir Farid on piano.

Ember Choral Ensemble directed and conducted by Deborah Simpkin King is joined by American Modern Ensemble for the world premiere of Listen for choir and instrumental sextet.

Ember Choral Ensemble directed and conducted by Deborah Simpkin King is joined by American Modern Ensemble for the world premiere of Listen for choir and instrumental sextet.

Mostly Modern Projects & Cutting Edge Concerts New Music Festival present American Modern Ensemble, with a performance ofThe Companion from Three Way, music by Robert Paterson, libretto by David Cote. Directed by John de los Santos, and conducted by Geoffrey Andrew McDonald. Featuring Ariadne Greif, soprano, Glen Seven Allen, tenor, and Robert Wesley Mason, baritone. Program also includes Victoria Bond’s How Gulliver Returned Home in a Manner that was Very Not Direct, and a new work by Hershel Garfein with words by Stanley Kunitz.

Performance of String Quartet No. 1, String Quartet No. 2, and String Quartet No. 3 by the Indianapolis Quartet. This concert also serves as a pre-release concert for the album of these quartets that will be released on June 3rd.

Performance of “The Companion” from Three Way by Opera Memphis, on a double bill with Pygmalion, a lyric opera in one-act by famed bel canto composer, Gaetano Donizetti. Featuring Keely Futterer, soprano, Sergio F. Mandujano, tenor, and Marcus King, baritone.

Performance of “The Companion” from Three Way by Opera Memphis, libretto by David Cote, on a double bill with Pygmalion, a lyric opera in one-act by famed bel canto composer, Gaetano Donizetti. Featuring Keely Futterer, soprano, Sergio F. Mandujano, tenor, and Marcus King, baritone. Ned Canty, Director, Cris Frisco, Music Director and Conductor.

Performance of Relative Theory by the Exponential Ensemble at Opera America’s National Opera Center.

Performance of “The Companion” from Three Way by Opera Memphis, on a double bill with Pygmalion, a lyric opera in one-act by famed bel canto composer, Gaetano Donizetti. Featuring Keely Futterer, soprano, Sergio F. Mandujano, tenor, and Marcus King, baritone.

Performance of “The Companion” from Three Way by Opera Memphis, on a double bill with Pygmalion, a lyric opera in one-act by famed bel canto composer, Gaetano Donizetti. Featuring Keely Futterer, soprano, Sergio F. Mandujano, tenor, and Marcus King, baritone.