Performance of Look To The Sky for choir and piano by Cantori, Mark Shapiro, conductor.

Performance of Life is But a Dream by spēro Chamber Choir, Eric Barnum, conductor.

Performance of Dark Mountains by the Rutgers University Sinfonia, Ching-Chun Lai, conductor.

European premieres of Closet Full of Demons and I See You (string orchestra version) at the inaugural season of Mostly Modern Festival | The Netherlands. Robert Paterson, Conductor. Program also includes works by Christian Blaha and Magnus Lindberg. All performances take place at Zeeuwse Concert Zaal.

European premiere of Helter Skelter at the inaugural season of Mostly Modern Festival | The Netherlands, presented in partnership with Musiiekschool Zeeland. Performance also includes works by Stephen Cabell, John Cage, Iannis Xenakis, and a world premiere by David Roche. All performances take place at Zeeuwse Concert Zaal.

Performance of selected movements from String Quartet No. 2 at the inaugural season of Mostly Modern Festival | The Netherlands, presented in partnership with Musiiekschool Zeeland. Performance also includes works by Christian Blaha, Daan Manneke, and Martijn Padding, as well as a world premiere by Nathan Kelly. All performances take place at Zeeuwse Concert Zaal.

Performance of Embracing The Wind at the inaugural season of Mostly Modern Festival | The Netherlands, presented in partnership with Musiiekschool Zeeland. Performance also includes works by Miguel del Aguila, and world premieres by David Carlton Adams and Elise Arancio. All performances take place at Zeeuwse Concert Zaal.

Performance of Sonata No. 1 for Violin and Piano with Heather Haughn, violin and Jay DeWire, piano of the West Shore Piano Trio.

Performance of Stillness for alto flute and marimba by Daniela Mars, alto flute, and Ryan Carlisle, marimba.

World premiere of The Winds of Time by the Eastman Wind Ensemble, Mark Davis Scatterday, Conductor. Commissioned by the Eastman Wind Ensemble, Mark Davis Scatterday, Conductor, and a consortium of wind ensembles, in honor of the Eastman School of Music’s Centennial Anniversary.

Performance of Relative Theory by the Exponential Ensemble. Pre-concert 30-minute talk at 1:30pm featuring Robert Paterson, Gilad Cohen, composers, and Pascal Archer and the of Exponential Ensemble. Free admission (Face masks required)

Euclid Quartet performs String Quartet No. 2 on this Chamber Music Society of Utica, NY series, along with Franz Schubert: String Quintet with Adrian Daurov, cellist

Performance of “The Companion” from Three Way by Opera Memphis, on a double bill with Pygmalion, a lyric opera in one-act by famed bel canto composer, Gaetano Donizetti. Featuring Keely Futterer, soprano, Sergio F. Mandujano, tenor, and Marcus King, baritone.

Performance of “The Companion” from Three Way by Opera Memphis, libretto by David Cote, on a double bill with Pygmalion, a lyric opera in one-act by famed bel canto composer, Gaetano Donizetti. Featuring Keely Futterer, soprano, Sergio F. Mandujano, tenor, and Marcus King, baritone. Ned Canty, Director, Cris Frisco, Music Director and Conductor.

Performance of Relative Theory by the Exponential Ensemble at Opera America’s National Opera Center.

Performance of “The Companion” from Three Way by Opera Memphis, on a double bill with Pygmalion, a lyric opera in one-act by famed bel canto composer, Gaetano Donizetti. Featuring Keely Futterer, soprano, Sergio F. Mandujano, tenor, and Marcus King, baritone.

Performance of “The Companion” from Three Way by Opera Memphis, on a double bill with Pygmalion, a lyric opera in one-act by famed bel canto composer, Gaetano Donizetti. Featuring Keely Futterer, soprano, Sergio F. Mandujano, tenor, and Marcus King, baritone.